Episode 013: See No Evil

Mollyville Modern Radio Drama Episode 013: See No Evil

“The most common challenges we face are our own beliefs.” —Maxximillian Dafoe

Would you follow through on your promise to enact vengeance even if it meant hurting a friend? When do you have the right to renege on a promise? What if it’s a matter of life or death—when is it fair to share a secret?

Mollyville Dystopian Suspense Modern Radio Drama is written, performed & produced by Maxximillian Dafoe. Want more Mollyville? Get manuscripts, maps and more by becoming my patron. Visit podcasts.maxximilliandafoe.com and take a look around.

Inspirational Intro

  • Music. “Summer Days” by Kai Engel
  • Words. “Concentration and the Power Back of Suggestion”, an excerpt from Your Forces and How To Use Them by Christian Da Larson
  • Performance. Maxximillian Dafoe

Mollyville Modern Radio Drama is based on Mollyville: Humble Beginnings, a dystopian suspense novel written by Maxximillian Dafoe—available on Amazon.

  • “Hang Ups (Want You)” by Otis McDonald
  • “Difference” by Kai Engel
  • “Otis McMusic” by Otis McDonald
  • “Magic Part 2” by Otis McDonald

Additional Sounds…

  • “Parrots” from Robert Yurell
  • “Footsteps On Cement” from Tim Freyer


Mollyville Dystopian Suspense Modern Radio Drama is written, produced and performed by Maxximillian Dafoe. For episode extras and more visit podcasts.maxximilliandafoe.com and take a look around.

Mollyville Modern Radio Drama is a labor of (my) love.  If you’d like to support me and this podcast, you can become my patron for as little as $1 an episode at patreon.com/maxximillian.

Curious about what’s in it for you? Check out your patron rewards, here.


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BOOM! Here’s your 2-minute Pep Talk — Listen NOW: Encouraging words to light you up from the inside out! (Go ahead and give it a tap, you know you’re curious!)

Caveat: The Mollyville Dystopian Audio Drama employs frank language and provocative themes. It is intended for a mature audience.

Dystopian societies appear in many artistic works, particularly in stories set in the future. Some of the most famous examples are 1984 and Brave New World. Dystopian societies appear in many subgenres of fiction and are often used to draw attention to real-world issues regarding society, environment, politics, economics, religion, psychology, ethics, science, and/or technology.

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